Filmes Experimentais

Melhores vídeo-ensaios de 2023 (BFI)

48 votantes, 181 vídeos (nem todos estão disponíveis online)

www.bfi.org.uk/polls/best-video-essays-2023

 

Alguns vistos e recomendados, até agora:

A History of the World According to Getty Images (Richard Misek)

Art Without the Artist (and Other Horrors from the Machine) (Dan Simpson, Eyebrow Cinema)

Cinema in Pain: Decoding “Mad God” (James DeLisio)

Kinoapparatum Remade. A Videographic Montage Experiment. (Johannes Binotto, Maurice Dietziker, Linus Bolliger, Arseni Gavrilov, Kilian Frei, Andrina Moos, Cécile Brossard, Sven Friedli, Mirjam Leutwiler, Jana Schlegel, Melina Hofer, Anja Hubmann, Fynn Groeber, Nora Gruetter)

Ozu Without Ozu (Green and Red)

Sensuous and Affective (Oswald Iten)

 

Mais que 30 minutos:

The AI Revolution Is Rotten to the Core (Jimmy McGee)

90+ filmes da Cinemateca Francesa para assistir online (com áudio ou legendas em inglês)

https://www.cinematheque.fr/henri/english/

3 desses filmes, disponíveis apenas até 31 de janeiro de 2023:

The Skywalk Is Gone (Tsai Ming-liang, 2002)
Nous le savions qu’elles étaient belles, les îles (Younès Ben Slimane, 2021)
Notre mémoire (Johanna Makabi, 2022)

Paul Clipson (1965-2018) 23 videoclipes, 1 curta-metragem, 1 média-metragem, 2005 a 2017

Two Suns – 2005
Constellations – 2006
Corridors – 2006
The Lights & Perfections – 2006
The Phantom Harp – 2007
Moth & Moon – 2008
Within Mirrors – 2008
Sphinx On The Seine – 2009
Lightmaze – 2010 [Média-metragem]
Ephemeris – 2011 [Curta-metragem]
Absteigend – 2012
Landscape Dissolves – 2012
La Paloma – 2014
Love After Love – 2014
Made of Air – 2014
Pulsars e Quasars – 2014
Come On – 2015
Disporting with a Shadow – 2015
Lighthouse – 2015
Feeler – 2016
Fell on My Face – 2016
Love’s Refrain – 2016
Headache – 2017
Tenderness – 2017
Cruel Optimism – 2017

Paul Clipson was a San Francisco-based filmmaker who often collaborated with sound artists and musicians on films, live performances, and installations. His work has been exhibited and performed both nationally and internationally at such festivals as the New York Film Festival, Edinburgh Film Festival, and the Rotterdam International Film Festival. His Super 8 and 16mm films aim to bring to light subconscious visual preoccupations that reveal themselves while working in a stream of consciousness manner, combining densely layered, in-camera edited studies of figurative and abstract environments, in a process that encourages unplanned-for results, responding to and conversing with the temporal qualities of musical composition and live performance.