Remontar, Remontagem (Do Tempo) 2007 (7 páginas)
pdf, 174KB
Fonte: http://chaodafeira.com/catalogo/caderno-n-47-remontar-remontagem-do-tempo/
Georges Didi-Huberman
Tradução de Milene Migliano
Revisão de Cícero de Oliveira
Remontar, Remontagem (Do Tempo) 2007 (7 páginas)
pdf, 174KB
Fonte: http://chaodafeira.com/catalogo/caderno-n-47-remontar-remontagem-do-tempo/
Georges Didi-Huberman
Tradução de Milene Migliano
Revisão de Cícero de Oliveira
BRADBURY, Ray – Zen in the Art of Writing
pdf, 487KB
Published in 1990.
Essays:
Review:
The prolific Ray Bradbury, author of Fahrenheit 451, The Martian Chronicles, and many other works both inside and outside the realm of science fiction, apparently suffered no shortage of creativity. Prolific in his fiction writing, he also proved generous in his encouragement of younger writers: we’ve previously featured not just his twelve essential pieces of writing advice but his secret to life and love. He even wrote enough on the subject of writing to constitute an entire book, the collection Zen in the Art of Writing: Essays on Creativity. In the 1973 title piece, Bradbury, hardly known as a Buddhist, explains his use of the term zen for its “shock value”: “The variety of reactions to it should guarantee me some sort of crowd, if only of curious onlookers, those who come to pity and stay to shout. The old sideshow Medicine Men who traveled about our country used calliope, drum, and Blackfoot Indian, to insure open-mouthed attention. I hope I will be forgiven for using ZEN in much the same way, at least here at the start. For, in the end, you may discover I’m not joking after all.”
He breaks down his own idea of zen in his writing process by first asking himself, “Now while I have you here before my platform, what words shall I whip forth painted in red letters ten feet tall?” He paints the following, and after each we include selections from the essay:
You can read much more about Bradbury’s method of working, relaxing, not thinking, and relaxing further still — and his thoughts on the joy of writing, keeping the muse fed, establishing a thousand-or-two-words-a-day habit, and “how to climb the tree of life, throw rocks at yourself, and get down without breaking your bones or your spirit” — in the book, Zen in the Art of Writing: Essays on Creativity.
Käthe Kollwitz foi uma importante desenhista, pintora, gravurista e escultora alemã, cuja obra reflete uma eloquente visão das condições humanas na primeira metade do século XX. Com traços de Naturalismo e Expressionismo, Kollwitz traz a classe operária, fome, guerra e pobreza como temas recorrentes em seu trabalho.