Autor: cultureinjection

Guilherme Cavalcanti

O Terror Das Mulheres [Ladies Man](Jerry Lewis, 1961) [trecho]

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Compilado de listas de melhores discos e filmes de 2017

MÚSICA:

Álbums:

Boomkat: https://boomkat.com/charts/2017/558

Bleep: https://bleep.com/Albums-of-the-Year-2017

The Quietus: http://thequietus.com/articles/23660-albums-of-the-year-2017

FACT: http://www.factmag.com/2017/12/20/best-albums-2017/

The Wire: http://www.albumoftheyear.org/list/841-the-wires-best-releases-of-2017/

Norman Records: https://www.normanrecords.com/features/albums-of-the-year-2017

Gorilla vs Bear: http://www.gorillavsbear.net/gorilla-vs-bears-albums-of-2017/

Piccadilly: https://www.piccadillyrecords.com/counter/feature.php?feature=852

The Vinil Factory: https://thevinylfactory.com/features/best-albums-2017/

O Volume Morto: http://www.ovolumemorto.com/single-post/2017/12/25/os-discos-favoritos-
de-2017

Entrecrítica: https://twitter.com/entrecritica/status/944290514886541312

Específicos:

Allmusic Electronic: https://www.allmusic.com/year-in-review/2017/favorite-electronic

RA: https://www.residentadvisor.net/features/3134

XLR8R: https://www.xlr8r.com/features/2017/12/xlr8rs-best-of-2017-releases/

Kevin Morby 10 Discos: http://www.brooklynvegan.com/kevin-morby-tells-us-about-his-10-
favorite-albums-of-2017/

Popmatters Shoegaze e Dream-Pop: https://www.popmatters.com/the-best-shoegaze-and-
dream-pop-of-2017-2516919016.html

Exclaim Avant-Garde – Improvisation:
https://exclaim.ca/music/article/exclaim_s_top_10_improv_and_avant-garde_albums-
best_of_2017

Post-Ambient-Lux: http://postambientlux.tumblr.com/post/168325486547/100-best-ambient-
albums-of-2017

https://thevinylfactory.com/features/our-30-favourite-reissues-of-2017/

https://www.piccadillyrecords.com/counter/feature.php?&feature=854

https://www.piccadillyrecords.com/counter/feature.php?&feature=853

https://thevinylfactory.com/features/12-best-soundtracks-2017/

http://mixmag.net/feature/the-top-20-compilations-of-2017

https://daily.bandcamp.com/2017/12/22/best-bandcamp-contemporary-classical-albums-of-
2017/

TRACKS

Bleep 100 Tracks: https://bleep.com/100-tracks-2017

XLR8R: https://www.xlr8r.com/front-page/2017/12/xlr8rs-best-of-2017-tracks/

The Quietus: http://thequietus.com/articles/23768-tracks-of-the-year-songs-2017

FACT: http://www.factmag.com/2017/12/15/best-tracks-2017/

FACT Club Tracks: http://www.factmag.com/2017/12/14/best-club-tracks-2017/

FACT House Techno Tracks: http://www.factmag.com/2017/12/12/best-house-techno-tracks-
2017/

 

FILMES:

Listas e votações de filmes publicados em sites e blogs:

http://sensesofcinema.com/2018/world-poll/world-poll-2017-introduction/

Sight & Sound’s best films of 2017: https://buff.ly/2ATrbaa

http://www.apaladewalsh.com/category/em-foco/melhores-do-ano-em-foco/

http://www.conlosojosabiertos.com/la-internacional-cinefila-2017-las-mejores-peliculas-
del-ano/

https://thefilmstage.com/features/the-best-documentaries-of-2017/

https://thefilmstage.com/features/the-film-stages-top-50-films-of-2017/

http://desistfilm.com/desistfilm-best-0f-2017-film-list-lo-mejor-del-2017/

http://calvero.org/melhores-filmes-de-2017/

http://reverseshot.org/features/2400/best_2017

https://ngbooart.blogspot.com.br/2017/12/best-of-2017-cinema-obscura-edition.html

https://ngbooart.blogspot.com.br/2017/12/best-of-2017-action-edition.html

https://ngbooart.blogspot.com.br/2017/12/best-of-2017-david-lynch-eats-festival.html

Listas de 2017 no Letterboxd:

https://letterboxd.com/chicofireman/list/top-30-filmes-de-2017-circuito-vod-e-streaming/

https://letterboxd.com/felipelahm/list/2017-uma-selecao/

https://letterboxd.com/gabrielpapaleo/list/melhores-filmes-2017/

https://letterboxd.com/dlerer/list/best-of-2017/

https://letterboxd.com/psycho_dioxx/list/2017-favourites/

https://letterboxd.com/guigaspar/list/favoritos-de-2017/

https://letterboxd.com/helioflores/list/ranking-2017-top-50-twin-peaks-the-return/

https://letterboxd.com/dalpizzolo/list/o-cinema-em-2017-top-20/

https://letterboxd.com/hipsterdas11h/list/2017-circuito-brasileiro-brazilian-releases/

https://letterboxd.com/tavarespedro/list/best-of-2017/

https://letterboxd.com/vini_rossitto/list/best-of-2017-work-in-progress/

https://letterboxd.com/tchuly/list/top-20-lancamentos-2017/

https://letterboxd.com/michelsimoes/list/2017-top-100-my-favourite-films/

https://letterboxd.com/tatuurana/list/2017/

https://letterboxd.com/brunoamato/list/2017-ranked/

https://letterboxd.com/guscruz/list/2017-80-melhores-lancamentos-brasil/

https://letterboxd.com/vinicius_romero/list/2017/

https://letterboxd.com/gemko/list/best-of-2017/

https://letterboxd.com/elvisleao/list/2017-top-50/

https://letterboxd.com/andredominguez/list/ranking-melhores-filmes-2017-top-30-lancados/

https://letterboxd.com/luizk/list/2017/

https://letterboxd.com/pacay7/list/2017/

https://letterboxd.com/sandroserpa/list/top-10-de-20-ou-30-melhores-de-2017/

https://letterboxd.com/hipsterdas11h/list/top-50-twin-peaks-2017/

https://letterboxd.com/miserybeat/list/filmes-favoritos-de-2017/

https://letterboxd.com/kenjfuj/list/favorite-films-of-2017-in-progress/

https://letterboxd.com/leandrocalbente/list/meus-filmes-favoritos-de-2017/

Curtas:

https://ngbooart.blogspot.com.br/2017/12/best-of-2017-short-cuts-edition.html

140 filmes descobertos em 2017

10 de 140

10/10 (*****)
Frankenstein (James Whale, 1931)
Run For Cover (Nicholas Ray, 1955)
O Tigre de Bengala (Fritz Lang, 1959)
Othello (Orson Welles, 1951)
Where the Sidewalk Ends (Otto Preminger, 1950)
Orpheus (Jean Cocteau, 1950)
Kirikou and the Sorceress (Michel Ocelot, Raymond Burlet, 1998)

9/10 (****1/2)
Paisà (Roberto Rossellini, 1946)
Broken Arrow (Delmer Daves, 1950)
Le Bonheur (Agnès Varda, 1965)
Era uma Vez um Pai (Yasujiro Ozu, 1942)
Benilde ou a Virgem Mãe (Manoel de Oliveira, 1975)
Iguana (Monte Hellman, 1988)
Das Tripas Coração (Ana Carolina, 1982)
Born in Flames (Lizzie Borden, 1983)
Casei-me com uma Feiticeira (René Clair, 1942)
Aniki Bóbó (Manoel de Oliveira, 1942)
L’Amour Fou (Jacques Rivette, 1969)
Strange Days (Kathryn Bigelow, 1995)
Carnival of Souls (Herk Harvey, 1962)
On The Bowery (Lionel Rogosin, 1956)
Sweetie (Jane Campion, 1989)
Lady in the Water (M. Night Shyamalan, 2006)
The Departure (Jerzy Skolimowski, 1967)
A Margem (Ozualdo Candeias, 1967)
Anne of the Indies (Jacques Tourneur, 1951)
Sem Teto, Nem Lei (Agnès Varda, 1985)
Gertrud (Carl T. Dreyer, 1964)
A Flauta Mágica (Ingmar Bergman, 1975)
Cinema Europe: The Other Hollywood (Vários Diretores, 1995)
Sonata de Tóquio (Kiyoshi Kurosawa, 2008)
Daisy Kenyon (Otto Preminger, 1947)
Four Nights of a Dreamer (Robert Bresson, 1971)
The Crazy Family (Gakuryû Ishii, 1984)
A Bittersweet Life (Kim Jee-woon, 2005)
Rien ne va Plus (Claude Chabrol, 1997)
Affliction (Paul Schrader, 1997)
O Sol Brilha na Imensidão (John Ford, 1953)
He Who Gets Slapped (Victor Sjöström, 1924)

8/10 (****)
Perfect Blue (Satoshi Kon, 1996)
O Sol de Marmelo (Victor Erice, 1992)
Looker (Michael Crichton, 1981)
The Hitcher (Robert Harmon, 1986)
Noroeste (Jacques Rivette, 1976)
Lost Horizon (Frank Capra, 1937)
Pickup on South Street (Samuel Fuller, 1953)
Cure (Kyioshi Kurosawa, 1997)
Para Sempre Mozart (Jean-Luc Godard, 1996)
Dead & Buried (Gary Sherman, 1981)
Gangues do Gueto (Abel Ferrara, 2001)
7 Homens Sem Destino (Budd Boetticher, 1956)
História de Taipei (Edward Yang, 1985)
Exotica (Atom Egoyan, 1994)
Blue Steel (Kathryn Bigelow, 1990)
Celine e Julie Vão de Barco (Jacques Rivette, 1974)
O Crocodilo (Nanni Moretti, 2006)
101 Noites (Agnès Varda, 1995)
Caveira My Friend (Álvaro Guimarães, 1970)
À ma soeur! (Catherine Breillat, 2001)
The Wicker Man (Robin Hardy, 1973)
An Angel at My Table (Jane Campion, 1990)
The Bronte Sisters (André Téchiné, 1979)
Away with Words (Christopher Doyle, 1999)
Matinee (Joe Dante, 1993)
Miracle Mile (Steve De Jarnatt, 1988)
Dois Córregos (Carlos Reichenbach, 1999)
A Cena do Crime (André Techiné, 1986)
The Last Seduction (John Dahl, 1994)
Rendez-vous (André Techiné, 1985)
A Hora da Estrela (Suzana Amaral, 1985)
Bom Dia, Tristeza (Otto Preminger, 1958)
Paris is Burning (Jennie Livingston, 1990)
The Aviator (Martin Scorsese, 2004)
Crônica de um Industrial (Luis Rosemberg Filho, 1978)
Eraserhead (David Lynch, 1977)
Summer with Monika (Ingmar Bergman, 1953)
Jacques Rivette, Le Veilleur (Claire Denis, Serge Daney, 1994)
A Man There Was (Victor Sjöström, 1917)
Just Pals (John Ford, 1920)
Sleepaway Camp (Robert Hiltzik, 1983)
Tartuffe (F. W. Murnau, 1925)

7/10 (***1/2)
Hævnens Nat (Benjamin Christensen, 1916)
Special Effects (Larry Cohen, 1984)
The Century of the Self (Adam Curtis, 2002)
A Filha do Nilo (Hou Hsiao-Hsien, 1987)
The House by the Cemetery (Lucio Fulci, 1981)
Inspecteur Lavardin (Claude Chabrol, 1986)
Meus Vizinhos São um Terror (Joe Dante, 1989)
I Don’t Want to Sleep Alone (Tsai Ming-Liang, 2006)
Two Friends (Jane Campion, 1987)
Anatomy of Hell (Catherine Breillat, 2004)
Pânico 2 (Wes Craven, 1997)
Hollywood Shuffle (Robert Townsend, 1987)
Lilian M: Relatório Confidencial (Carlos Reichenbach, 1975)
Panelstory or Birth of a Community (Vera Chytilová, 1979)
Barba Azul (Catherine Breillat, 2009)
Sink or Swin (Su Friederich, 1990) [média-metragem]
Une Vieille Maîtresse (Catherine Breillat, 2007)
Metropolitan (Whit Stillman, 1990)
Point of No Return (John Badham, 1993)
Ninja Assassin (James McTeigue, 2009)
Deep Cover (Bill Duke, 1992)
Basic (John McTiernan, 2003)

6/10 (***)
Moonlight Whispers (Akihiko Shiota, 1999)
Scarecrows (William Wesley, 1988)
Feu Mathias Pascal (Marcel L’Herbier, 1926)
Holy Smoke! (Jane Campion, 1999)
Noites Paraguayas (Aloysio Raulino, 1982)
Choose Me (Alan Rudolph, 1984)
India Song (Marguerite Duras, 1975)
Liliam, a Suja (Antônio Meliande, 1981)
Tout Va Bien (Jean-Luc Godard, 1972)
Figures in a Landscape (Joseph Losey, 1970)
The Flame of New Orleans (René Clair, 1942)
O Som da Terra a Tremer (Rita Azevedo Gomes, 1990)
The Raspberry Reich (Bruce LaBruce, 2004)
Paperhouse (Bernard Rose, 1988)
Vigilante (William Lustig, 1983)
Phantom of the Paradise (Brian de Palma, 1974)
The Animatrix (Vários Diretores, 2003)
Um Rei em Nova York (Charlie Chaplin, 1957)
Harakiri (Fritz Lang, 1919)
The Haunted Castle (F. W. Murnau, 1921)
The Blade (Tsui Hark, 1995)
Barcelona (What Stillman, 1994)
Legião Invencível (John Ford, 1949)
Spontaneous Combustion (Tobe Hopper, 1990)
Finis Hominis (José Mojica Marins, 1971)
Patti Smith: Dream of Life (Steven Sebring, 2008)
Santa Sangre (Alejandro Jodorowsky, 1989)
Birds, Orphans and Fools (Juraj Jakubisko, 1969)
A Falecida (Leon Hirzman, 1965)
O Padre e a Moça (Joaquim Pedro de Andrade, 1966)
Yellow Submarine (George Dunning, 1968)
Oborona Sevastopolya (Vasili Goncharov, Aleksandr Khanzhonkov, 1911)
Fellini: I’m a Born Liar (Damian Pettigrew, 2003)
Tabloid (Errol Morris, 2010)
Pytel Blech (Vera Chytilová, 1962) [média-metragem]
Os Invasores de Marte (William Cameron Menzies, 1953)
The Cheat (Cecil B. DeMille, 1915)